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             Made back-to-back with the second
            Kapitein Zeppos serial,
            De Eglantier, the third - Tweng - is a stylish 
            production which takes the Captain on a bizarre journey through a 
            world that combines espionage and comic-strip with a healthy serving 
            of the surreal. The serial opens with a glorious location sequence 
            focusing on Zeppos driving to the headquarters of the peace 
            organisation, TWENG (hence the title). The sequence, full of daring 
            camera moves and angles, is backed with a music track that is 
            completely evocative of the late Sixties era and the result is the 
            epitome of cool. But it doesn't stop there, for the serial as a 
            whole is  very cool indeed. Breathtaking cinematography, clever 
            editing, an array of odd and interesting characters and some great 
            performances from the regular and guest cast all contribute to 
            making the final
            Kapitein Zeppos serial a genuine final flourish for the 
            series.     
            
            
            
             Tweng sees Kapitein Zeppos, his wife Ariane 
            and Ben Kurrel pitted against SABOS, a militaristic secret 
            organisation who probably owe more of their inspiration to 1930s 
            Flash Gordon film serials than to James Bond (tin helmets 
            abound!). Zeppos is set the task of shadowing Aunt Cara - who it 
            appears may be a spy - by an equally secret and mysterious 
            organisation called TWENG, who he ultimately learns are a group set 
            up to thwart the plans of those, like SABOS, who are intent upon 
            destruction and anarchy. Zeppos and Ariane's surveillance of Cara 
            leads them into danger, deep within the catacombs of SABOS' fortress 
            headquarters.    
            
            
            As with 
            De Eglantier, Tweng was 
            written by Lode de Groof and directed by Jef Demedts, with the 
            production crew of the second serial being carried over to work on 
            the third. It is very clear that by this point, the team were 
            extremely well-versed in film production and the directorial and 
            editorial flourishes that are evident throughout Tweng bear 
            testament to this. The serial moves along rapidly and is never 
            anything other than stylish and exciting.  
            
            
            
             Location work was once more a vital 
            part of the production. The medieval town of Gent was again 
            utilised, as was - of course - the windmill at 
            Onze-Lieve-Vrouw-Lombeek in Pajottenland. The opening sequence 
            referred to earlier ends up in the beautiful Groot Begijnhof, 
            Sint-Amandsberg in Gent. Another sequence for Tweng was shot 
            at the Sint Jan de Doperkerk church in the town of 
            Sint-Denijs-Westrem. The major exterior location used in the serial 
            however is the remarkable Fort VII in Wilrijk. Extensive interior 
            footage was filmed here also. For more details on these filming 
            locations, please see our 
            Series 3 Locations page. 
            
            
            The serial was transmitted on 
            Wednesday afternoons on the BRT (now VRT) in a 4.00-4.30pm slot 
            commencing on 11th December 1968 (the week after the conclusion of
            De Eglantier). As with its predecessor, it lasted for eight 
            weekly installments, ending on Wednesday 29th January 1969. Tweng 
            was repeated on Belgian television in 1975, 1985 and - as part of 
            the VRT's 50th Anniversary celebrations - in the Summer of 2004. As 
            with the previous Kapitein Zeppos serials, Lode de Groof adapted his 
            screenplay as a novel, which was published in 1969. 
            
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